ViriatoRobotics

A real, physical autonomous animatronic head.

Not a screen, not an avatar. It holds a conversation on its own, with facial expression and animation synchronized to its own speech. Sculpted, cast and designed from scratch, and run by proprietary control software covering everything from calibration to show management.

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02The making

Snippets of the process

Humanoid robotics has gone a long way on locomotion and manipulation and left the face alone. The best-known platforms wear a blank visor. Viriato starts at the other end. It starts with a face.

01 / 5   Sculpt

Digital sculpture

The character is sculpted for the role it has to play.

02 / 5   Manufacture

Design and fabrication

Parts are designed and then fabricated.

The mold taken from the finished sculpt.
03 / 5   Mold

Mold making

Molded in industrial-grade materials.

The cast silicone face.
04 / 5   Cast

Flexible skin

Cast in SFX-grade silicone, to our own mixes and techniques.

The face being painted and the hair punched in.
05 / 5   Finish

Skin detailing and hair insertion

Painting and hair punching do the detailing that brings it to life.

03The voice

Viriato speaking

Nothing here was recorded or animated by hand, and there is no operator driving the robot. He is answering a question: why he thinks humans make robots.

One take, unedited. Nothing about the mouth was animated by hand or fixed afterwards.
What he already does

What Viriato can do

Viriato, engraved: a Lusitanian warrior in helmet and scale armour.
ListenListens to what the user says.
UnderstandUnderstands it, remembers the conversation, works out an answer, and keeps track of whose turn it is to speak.
SpeakSays the answer out loud, in his own voice.
MoveMoves his face in coordination with that audio as it plays.

Hand-drawn illustration of Viriato, vectorized.

In conversation he does all of this on his own. No operator, no script, no human in the loop.

04The proof

The face lifted word recognition by 13.5 points.

Same voice, same noise. The only variable was the face.

Words correctly recognized in noise
Audio only
45.5%
With Viriato's face
59.0%
Words correctly recognized in noise, audio only against with Viriato's face.
ConditionWords recognized
Audio only45.5%
With Viriato's face59%

Twenty participants, counterbalanced. Fifteen of twenty scored higher with the face. CID W-22 lists.

The face is not just a surface. It is part of how speech is understood.

05The deployment

Where he goes to work

Any character. Any role. Never off duty.

One platform, configured to a different face, voice, personality and script for each venue, rather than a new robot designed from nothing every time.

Theme parks

Characters that stay in role, respond in the moment, and never repeat the same take twice.

Museums

Historical and scientific figures that answer visitors directly, in their own voice.

Science centers

Interaction that explains itself, and demonstrates the technology it is built from.

Retail

A brand's own character on the shop floor, talking to customers directly.

Conferences

A stand that answers questions all day, in the brand's own voice.

Therapy & training

Repeatable, patient, non-judgmental interaction, and visible speech that measurably aids comprehension. A longer horizon: it needs clinical validation we have not done.

06The founder
Miguel Pedrosa, founder of Viriato Robotics.
Miguel Pedrosa

How it started

It started with the animatronic figures Miguel was taken to see as a child, and the imagined worlds his grandparents told him about at bedtime.

That early fascination became a mission. By high school, Miguel was already building his first robots, driven by a singular goal: bringing those imagined worlds to life. Years of hands-on experimentation and engineering study ultimately culminated in his master's thesis.

The result is Viriato.

Viriato is the work of one person: from the mechanisms, to the electronics, sculpture, mold making and silicone casting and finishing, software development.

19/20Master's dissertation grade
FEUP, Faculdade de Engenharia, Universidade do Porto